AVTT/PTTN – Scott and Seth Avett of The Avett Brothers and Mike Patton, legendary frontman of Faith No More and Mr. Bungle – unveiled their new self-titled album, out via Thirty Tigers, Ramseur Records and Ipecac Recordings. Alongside the release, the group announced a major 2026 US tour, which will make stops in Nashville, Austin, Boston, Brooklyn, and more — including the band’s festival debut at Big Ears in Knoxville, TN, on March 28, 2026. This tour will bring AVTT/PTTN to Paso Robles, CA on May 9, 2026, with a performance at Vina Robles Amphitheatre. Tickets go on sale Friday, December 5 at 12PM via Ticketmaster. Written by the Avetts and Patton, and produced by Patton, Scott, and GRAMMY-winning engineer Dana Nielsen (Metallica, Rihanna), the album represents more than just “one of the most unexpected collaborations of this (or any) year” (Consequence) — it’s a true full-circle moment. “Mike’s part of our DNA, like the fabric of our youth,” says Scott. “Literally, we studied him. He’s a dear friend now, but when we were younger, I was imitating him.” Patton adds, “My peculiar challenge in this was to become a long distant cousin. A brother that was orphaned. Maybe they kept him in the chicken coop or some shit. They brought him out years and years later.” The album opens with the gentle acoustic guitar of “Dark Night of My Soul,” where Patton’s seasoned croon merges with the Avetts’ voices for a rich three-part harmony. Elsewhere, the scuzzy stomp of the folk classic “The Ox Driver’s Song” and the driving fuzz of “Heaven’s Breath” push the Avetts into new sonic terrain, while showcasing Patton’s trademark dynamic range. Lead single “Eternal Love” flourishes as a meditation on the universal pull of love, capturing both its enduring beauty and the weight it can carry. Each track reflects the unusual way the record was built — songs sketched by Scott, reshaped by Patton, and then reimagined again with Seth — a process that gave the music its distinct character and balance. The unanticipated trio might not quite remember how they all first came into contact, but call it serendipity that their casual exchange of admiration grew into a genuine creative partnership. As the group traded songs and ideas across coasts, AVTT/PTTN came to fruition, showcasing Scott, Seth, and Mike at their most adventurous. “This is what art is,” Scott reflects. “This is what making is supposed to be: in secret and with no ambition.”
About The Avett Brothers Four-time GRAMMY Award nominees The Avett Brothers made mainstream waves with their critically acclaimed 2009 major label debut, I and Love and You. In 2012, The Carpenter hit #4 on the Billboard 200, followed by Magpie and the Dandelion in 2013, which debuted at #5 on the Billboard 200. The 2017 documentary May It Last: A Portrait of The Avett Brothers (co-directed by Judd Apatow and Michael Bonfiglio) chronicles the process of writing 2016’s True Sadness, which debuted at #1 on Billboard’s Top Albums, #1 on Rock Albums, #3 on the Billboard 200, and scored two Grammy nominations. The film was released theatrically and on HBO to rave reviews and is available on DVD/BluRay/VOD. In 2019, the band released their tenth studio album Closer Than Together featuring the single “High Steppin’” which reached #1 on the Americana Radio Singles Chart. The Third Gleam came out amidst the COVID-19 pandemic and debuted at #1 on Billboard’s Americana/Folk Albums, #1 Rock Albums, #1 Vinyl Albums, and the single “Victory” hit #1 on the Americana Radio Singles Chart. This year saw the release of The Avett Brothers, an album that is as much untitled as it is self-titled: a collection of songs that revealed themselves naturally over time. Swept Away - a musical inspired by & featuring the music of The Avett Brothers - recently debuted on Broadway. The Avett Brothers have been inducted into the North Carolina Music Hall of Fame and have earned a Lifetime Achievement Award from the Americana Music Association. They are currently on tour throughout the US.
About Mike Patton Mike Patton is a Renaissance man in the truest sense of the word. From his time spent with genre-defying alternatives acts like Faith No More and Mr. Bungle, to his multitude of collaborations including the deconstructed-pop of Peeping Tom, the rock-centric Tomahawk, and the Italian language orchestral classics he covered with Mondo Cane. His career has also ventured in film composing for movies such as Crank: High Voltage and A Place Beyond The Pines, voice acting in I Am Legend and multiple video games, and starting his own record label, Ipecac Recordings, showing there is no limit to what Patton can do.